Istanbul

The Blue Mosque, Istanbul

About a month ago, I returned home from a 3-week research trip to Istanbul. Istanbul is a beautiful city and I love spending time there, so although I was working very hard, this visit was an absolute pleasure. I was in Turkey to continue my studies in Islamic manuscript illumination(or tezhip / tezhib as it is called in Turkish and Arabic). It had been quite a while since my last visit and I was a little anxious that I might be out of practice. However, once I started classes, everything seemed to come back to me and I think I made pretty good progress!

Sticking the calligraphy on to a handmade paper, using a mixture of starch and water.

I bought a piece of calligraphy out to Istanbul that I planned to illuminate. I was very lucky, as it was written by the very talented Dr. Nassar Mansour (and I am now going to shamelessly plug Nassar’s new calligraphy book on Amazon!) Some time ago, Nassar and I decided to do an exchange with our artwork – he received two of my hand-painted silk scarves in return for a piece of his calligraphy… I am convinced I got the better deal!
“What would you like me to write? Asked Nassar.
“Hmmm… Well, I think I’d like to gift the calligraphy to my parents to say “thank you” for all of the love and support they’ve shown me over the years”, I replied.
“I like this idea! Why not choose one of their favourite verses from the Qur’an?”

A little detail of the work-in-progress. I have applied three different colours of shell-gold paint, gouache and calligraphy ink to the illumination.

And so I chose verse 177 from the second chapter of the Qur’an. Here is the translation:
“In the Name of Allah, Most Gracious, Most Merciful
It is not righteousness that ye turn your faces towards East or West;
But it is righteousness to believe in Allah and the Last Day, and the Angels, and the Book, and the Messengers;
To spend of your substance out of love for Him, for your kin, for orphans, for the needy, for the wayfarer, for those who ask, and for the ransom of slaves;
To be steadfast in prayer, and practise regular charity, to fulfil the contracts which ye have made;
And to be firm and patient in pain (or suffering) and adversity, and throughout all periods of panic. Such are the people of truth, the God-fearing.”

Illuminated painting, a work-in-progress. (c) Ayesha Gamiet 2011. This is a picture of the work to date. I will keep you updated on my progress!

I chose this verse, partly because I know that it is very beloved to both my parents, but also because for me, it encapsulates the way they live their lives, and the values that they have instilled within us, their children.
Wish me luck in completing it!
Posted in Islamic Manuscript Illumination, PhD | 4 Comments

Eid treats!

Eid gifts for my family: hand-bound books made by me!

Firstly, a belated Eid Mubarak to all of my blog readers! I hope that you all had a very blessed and peaceful Eid and Ramadan. Mine was wonderful. I spent most of Ramadan busy with PhD work, and Eid was spent with my family. This year, I decided to make everyone personalised Eid gifts in the form of hand-bound notebooks! As you can see from the image above, they turned out pretty well (at least, I think so for a novice bookbinder like me!)

I thought that you might be interested to see the books in a little more detail, but before I start, I should mention that the instructions for the bookbinding project came from a fantastic tutorial that I found on Molly Brooks’ blog post. Very highly recommended! Read through Molly’s post, and you will begin to appreciate the effort that went into each book – a labour of love!

Notebook for my brother.

This bookbinding technique is called “open spine binding” because the book’s spine is exposed. In her tutorial, Molly suggests using bookbinder’s tape to secure the covers – I have used decorative ribbon instead. I hope it will be resilient enough! I also threaded a long piece of ribbon through the central “tape”. This is purely for ornamental purposes, and can be used as a bookmark, or to tie the book shut. The book above is for my brother, and I filled it with parchment papers so that he can use it to scribble down his notes and thoughts.

Japanese and Nepalese papers for the covers and endpapers.

I wish I could take credit for the beautifully patterned covers, but the designs come from printed Japanese papers that I bought at Falkiner’s on Southampton Row in London. In fact, you can buy all of your papers and bookbinding equipment from here. For the endpapers, I used some vibrant handmade Nepalese paper that I bought a long time ago and have been itching to use for ages!

Book signatures (interior pages) and cover.

Having cut and measured my signatures (interior pages of the book) and the board for my cover…

Sewing the pages to the cover.

I proceed to sewing my signatures to the book’s cover. Ok, I have skipped out quite a few stages here, but you can get the detailed instructions in Molly’s blog post. Here are some more pictures of the finished books:

My mother's book.

My Mother’s book contains handmade pages that are infused with marigold and bougainvillea flowers! She was thrilled with her gift. It may be just my imagination, but I’m sure that the pages give off a faint flowery scent as you open the book.

Books for my Mother and Sisters-in-law.

Above are the books that I made for my Mother and Sisters-in-law. My Sister-in-law’s book (on the right) contains pages that have been infused with cornflowers.

Books for my Brother and Father.

Although these two books have the same cover, the interior pages are very different. I have used a handmade watercolour paper for my Brother’s book (with the black ribbon, on the left), as he is quite arty! My Dad’s book contains parchment papers for note-making.

Matching gift tags made from the off-cuts!

I then got a little carried away, and started making matching gift tags from the off-cuts of the cover papers. You can see the results below:

Completed gift tags.

All in all, my family were thrilled with their Eid presents and a great day was had by all. If you would like to try your hand at making a book like the ones in this post, don’t forget to take a look at the instructions on Molly Brooks’ site. And good luck! Happy bookbinding!

Posted in Bookbinding, Stationary Design | 2 Comments

Got a facebook account? Follow my work in your newsfeed.

You can now follow my work in facebook by clicking "like" on my page.

I have been very slow in using social networks to promote my work, but this week I finally set up a facebook page for Ayesha Gamiet: art, illustration and design. If you have a facebook account and would like to receive updates on my courses, exhibitions, books and other projects, simply click “like” on my facebook page, and you will see my posts in your newsfeed.

Please share the link with your friends!

I have no plans to create a twitter account as yet…

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Islamic manuscript illumination course at the PSTA

I will be teaching a new course in Islamic manuscript illumination at the Prince’s School of Traditional Arts in London. The course will run over 4 Saturdays from the 22nd of October – 12th November 2011, from 10am – 4.30pm. Enrolment details can be found on the PSTA website.

You can also read about my previous courses, and see student’s work by clicking here.

I look forward to seeing you there!

Posted in Islamic Art Courses, Islamic Manuscript Illumination, News | Leave a comment

My first hand-made book!

Detail of my first hand-bound book! I love the decorative header (green and yellow stripy fabric).

Continuing my obsession with all things related to books, paper and illustration / illumination… Last weekend, I completed a 1-day course in bookbinding at Falkiners – a beautiful shop specialising in handmade papers and bookbinding materials based in London. For anybody interested in learning about bookbinding, I would highly recommend their courses. I learnt so much and had a fantastic day! Plus, I had a beautiful hand-bound book to take home with me. My niece has fallen in love with this notebook, so I think that I’ll gift this one to her. The rest of my family are already putting in their orders! I am planning on hand-binding my sketchpads and notebooks for my PhD work, but we’ll see how it goes… perhaps I’m being a little over-ambitious! Details of the classes at Falkiners on Southampton Row (Holborn) can be found here.

Take a look at the pictures below to give you an idea of how my book was constructed:

Bookbinding materials are laid out on the workspace before the start of the course.

Me, sewing the signatures (inside pages of the book).

Making the book cover, using printed Japanese paper, board and fabric.

Gluing on the decorative cover.

Securing the book block (the stack of signatures) and adding the endpapers.

The completed notebook! I wish I could take credit for the cover design, but I used a beautifully printed Japanese paper. Next stage will be to design and print my own covers – watch this space!

Posted in Bookbinding, Stationary Design | 6 Comments

May-June 2011 Abu Dhabi workshops

Student's work from the Higher College of Technology, Abu Dhabi.

Firstly, to all of my blog readers – I am so sorry for the delay in updating my posts! These past few months have been crazy busy, and it’s been difficult to find the time and space to sit down and write about what I’ve been up to. To give you an idea of how much has been going on – over the past 6 weeks, I’ve completed and handed in all of the artwork for my children’s book (and the publishers and pleased, so YAY!) I’ve been preparing for workshops and teaching in Abu Dhabi (lots of hard work, but also lots of fun). I have also had my end-of-year PhD assessment (scary, but it went better than I thought). Sorry if you have been missing my posts! I hope to write more about my children’s book and PhD work soon.

Last month, I spent 2 weeks teaching Islamic art classes in Abu Dhabi with the Prince’s School of Traditional Arts. Myself, along with 2 other teachers from the School were asked to deliver workshops at Shaykh Zayed University, the Higher College of Technology and Shaykh Zayed Girl’s Academy.

Both of the images above are examples of the student’s work from the Higher College of Technology. They worked on group projects over 3 sessions (each session lasting approx. 1 and a half hours). In the first session, students were taught principles of traditional Islamic design, such as geometry and arabesque patterning. The remainder of the time was spent painting their group projects – large illuminated pages, intended to mimic traditional illuminated Qur’anic frontispieces.

Below are 2 mihrab designs (prayer niches) from the classes that we taught at Shaykh Zayed University. The first is a design for wood, while the second is a design for plaster.

I hope to be back with more posts, soon!

Posted in Abu Dhabi, Islamic Art Courses, News | 4 Comments

The Enchanted Horse

'The Enchanted Horse' by Ayesha Gamiet (c) 2011

Story illustration to ‘The Enchanted Horse’ from The Arabian Nights. A Persian Prince whisks his beloved Bengali Princess across the sky on a magical ebony horse. Gouache, watercolour, gold leaf, shell gold and handmade Indian papers on hot-pressed watercolour paper.

Posted in Arabian Nights, Children's book illustration, Getting Published | 1 Comment

Introducing Ali Baba and family!

'Ali Baba and Family' by Ayesha Gamiet (c) 2011

“There once lived in a town of Persia two brothers, one named Cassim and the other Ali Baba. Their father divided a small inheritance equally between them. Cassim married a very rich wife, and became a wealthy merchant. Ali Baba married a woman as poor as himself, and lived by cutting wood, and bringing it upon three asses into the town to sell.” Illustration to accompany the text from ‘Ali Baba and the Forty Thieves’.

I have been experimenting with a little collage for my Ali Baba illustrations. The image above uses handmade Indian papers, aluminium leaf, gouache and calligraphy ink to give a mixed media effect. I had fun working on it! I think that using collage has helped me to be a little less precious about the illustration, as I’m working with imperfections in the paper and not trying too much to even out the flaws. However, using lots of media also threw up a lot of questions – one thing that I seem to keep debating is whether or not to paint an outline? The human figures don’t seem to need one, as their paper “clothing” creates a slight shadow against the watercolour paper, so this gives enough definition. However, I’m beginning to think that the donkeys are getting a lost at the bottom of the page, and need a little something to “draw them out” a bit. Hmmm… decisions, decisions… what do you think? Feedback appreciated!

Posted in Ali Baba and the Forty Thieves, Arabian Nights, Children's book illustration, Ebooks, Getting Published, Pictorical | 3 Comments

More student’s work…

I would like to share a few pictures of my student’s work from the spring PSTA Islamic manuscript illumination course. As you can see from the image above, they are doing amazingly well! To read about the course content and see previous student’s work, please click here.

A student attempts the halkar technique, which uses light colours and subtle shading. The first two pieces of work in this post are from two of my more experienced students, who put in a lot of extra work at home.

Two of my beginner students choose the same composition, but use entirely different colour ways.

Spring time colours on the left, and traditional blue and gold on the right.

…and finally, a beautiful little “shamsa” (little sun). Well done everyone! Hoping to see you again at the next course over the Summer.

Posted in Islamic Art Courses, Islamic Manuscript Illumination, Student's Work | 1 Comment

Liebster Blog Award!

I am delighted to let you all know that I recently received a Liebster Blog Award! I was nominated by Madre Mia! an inspirational writer who dedicates her blog to sharing her “adventures in the weird and wonderful world of motherhood”. Many thanks to Madre Mia!

Having accepted the award, I now have to nominate 3 of my favourite small blogs (“small” meaning blogs that attract less than 300 followers). My nominations are below:

1. Cake Mama for her generosity in sharing all of her delicious recipes. Trust me, the cakes are incredible – not only have I made some of them myself, but I’ve also enjoyed Cake Mama’s very own cooking and baking skills on many an occasion! Check out her blog and try the recipes yourself!

2. Farida Explores for her inspiring, adventurous spirit and love of life. Farida spent a year working in Paris to help improve her French before returning home to her native Canada. As she says on her blog: “I used to have only 2 pages stamped in my passport, now I have 18 pages stamped.” She took in most of Europe and parts of North Africa during her visit, while warming the hearts of all she met! We love you and miss you, Farida!

3. The incredibly talented Wendy Meddour, who has taken a break from her academic career (teaching English at Oxford University) to pursue her long-cherished dream of writing and illustrating children’s books. Look out for Wendy’s middle-grade series, ‘Cinnamon Grove’ , which is due to be published by Frances Lincoln in Spring 2012. Wendy’s first picture book, ‘The Spectacular Tree’ will be published by Macmillan (publication date and illustrator to be confirmed).

Enjoy reading!

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